“Features”

Showing 1–36 of 115 entries

Review — 19.06.2018

Nick Jordan: Mental State Signs

Paradise Works, Salford

by Robbie di Vito

Review — 24.05.2018

Anya Gallaccio: dreamed about the flowers that hide from the light

Lindisfarne Castle, Northumberland

by Dave Pritchard

Review — 02.05.2018

Beacons | Signs

Caustic Coastal, Salford

by Claire Walker

Review — 09.04.2018

Ready Gamers? States of Play: Roleplay Reality at FACT

FACT, Liverpool

by Callan Waldron-Hall

Interview — 09.04.2018

A Curatorial Conversation with George Vasey

Ferens Art Gallery, Hull; Ex-Libris Gallery, Newcastle-upon-Tyne

by Niomi Fitzsimmons Fairweather

Review — 19.02.2018

FF Gaiden: Delete at Bury Art Museum and Sculpture Centre

Robbie di Vitto reviews FF Delete: Gaiden by artists Larry Achiampong and David Blandy at Bury Art Museum and Sculpture Centre.

by Robbie di Vito

Review — 11.02.2018

Lubaina Himid: Meticulous Observations and Naming the Money

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 11.02.2018

Presence: Chinese Contemporary Art at St. George’s Hall

St. George's Hall, Liverpool

by Julia Johnson

Review — 30.01.2018

Rebecca Lowe: Inhabiting Stone

Leeds Arts University, Leeds

by Derek Horton

Review — 25.01.2018

Digital Matters: The Earth Behind the Screen

CFCCA, Manchester

by Ashleigh Owen

Review — 10.01.2018

John Piper at Tate Liverpool

Tate Liverpool, Liverpool

by Sean Ketteringham

Review — 10.01.2018

Saelia Aparicio: Your Consequences Have Actions

The Tetley, Leeds

by Robbie di Vito

Feature — 18.12.2017

Trust New Art?

by Tom Emery

Review — 15.12.2017

Making Himself Claire: Grayson Perry at Walker Art Gallery

Walker Art Gallery, Liverpool

by Claire Walker

Review — 14.12.2017

Raqs Media Collective: Twilight Language

Whitworth Art Gallery, Manchester

by Natasha Stallard

Review — 25.11.2017

Mary Reid Kelley & Patrick Kelley at Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 21.11.2017

Material Remains

Holden Gallery, Manchester

by Andy Broadey

Review — 17.11.2017

Politics of Paradise

Paradise Works, Salford

by Jacob Bolton

Review — 08.11.2017

Alina Szapocznikow: Human Landscapes

Hepworth Wakefield, Wakefield

by Liam McCabe

Review — 01.11.2017

AND A 123

Castlefield Gallery, Manchester

by Ashleigh Owen

Review — 19.10.2017

The Worst Seats In The House

Capstan House, London

by William Noel Clarke

Review — 16.10.2017

Culture Shifts: Local at Open Eye Gallery

Open Eye Gallery, Liverpool

by Grace Edwards

Review — 11.10.2017

Miami to Morecambe: This Building for Hope

Morecambe, Lancashire

by Jack Welsh

Review — 23.08.2017

You’re Reading Into It: Queering Contemporary Minimalism

Vane, Newcastle-upon-Tyne

by Andrea Allan

Review — 09.08.2017

Anita Corbin: Visible Girls Revisited

Artlink, Hull

by Orla Foster

Review — 07.08.2017

The Sound of Adult Children Determined Not To Be Afraid

ICW, Blackpool

by Alison Criddle

Review — 02.07.2017

So What of the Future

University of Leeds Project Space, Leeds

by Saffron Ward

Review — 23.06.2017

Meikle, Frew & Raven: Ambiguous Utopia

The Northern Charter, Newcastle-upon-Tyne

by Liam McCabe

Residencies

Castlefield Gallery & The International 3: Spring/ Summer 2017

Iris Priest was Writer-in-Residence at Castlefield Gallery throughout Spring – Summer 2017, coinciding with the exhibition Andrew McDonald (28 …

Review — 23.05.2017

Babel

PAPER Gallery, Manchester

by Hannah Allan

Review — 03.05.2017

Search History

AirSpace Gallery, Stoke-on-Trent

by Selina Oakes

Review — 01.05.2017

Somewhere Becoming Sea/ Chris Dobrowolski: Washed Up Car-go

Humber Street Gallery, Hull; The Deep, Hull

by Derek Horton

Review — 11.04.2017

Aleksandra Domanović: Votives

Henry Moore Institute, Leeds

by Simon Boase

Review — 10.04.2017

…in Dark Times

Castlefield Gallery, Manchester

by Bob Dickinson

Review — 20.03.2017

Stephen Forge: Downwards

Cactus Gallery, Liverpool

by Devon Forrester-Jones

Review — 20.03.2017

Bethan Hughes: Softbodies

University of Leeds Project Space, Leeds

by Hayley Toth