Liverpool

Showing 1–36 of 118 articles

Review — 07.10.2018

Interview with Joseph O’Rourke, John Moores Prize Winner

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Liverpool Biennial 2018 at the Bluecoat

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Invisible Flock’s AURORA at Toxteth Reservoir

Liverpool

by Denise Couroux

Exploration — 17.09.2018

The List, Its Destruction and What This Means for Liverpool

Liverpool

by Julia Johnson

Review — 09.09.2018

On Women in the Arts: We Want Women’s Support of Female Artists

Liverpool

by Claire Walker

Review — 02.09.2018

This Is Shanghai at Cunard Building

Cunard Building, Liverpool

by Sinéad Nunes

Review — 24.08.2018

Film at Liverpool Biennial 2018

Liverpool

by Julia Johnson

Review — 24.08.2018

New Brighton Revisited at The Sailing School Gallery

The Sailing School Gallery, Liverpool

by Denise Courcoux

Review — 15.07.2018

Preview: COSMOS at bluedot 2018

Liverpool

by Jacob Bolton

Review — 30.05.2018

It’s all Material – Snapshot to WeChat: A Migration of Identity

Open Eye Gallery, Liverpool

by Callan Waldron-Hall

Exploration — 01.05.2018

Museums in a Post-Colonial Commonwealth: identities, issues and opportunities

Museum of Liverpool, Liverpool

by Julia Johnson

Review — 09.04.2018

Ken’s Show: An Art Handler’s View of Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 09.04.2018

Ready Gamers? States of Play: Roleplay Reality at FACT

FACT, Liverpool

by Callan Waldron-Hall

Review — 12.03.2018

Another Look: The Pier Head – Tom Wood at Open Eye Gallery

Open Eye Gallery, Liverpool

by Kenn Taylor

Review — 05.03.2018

Hookworms: Totality of Experience at Invisible Wind Factory

Julia Johnson explores live music as a complete artistic experience

by Julia Johnson

Review — 11.02.2018

Lubaina Himid: Meticulous Observations and Naming the Money

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 11.02.2018

The Pier Head – Tom Wood at Open Eye Gallery

Open Eye Gallery, Liverpool

by Aoife Robinson

Review — 11.02.2018

Presence: Chinese Contemporary Art at St. George’s Hall

St. George's Hall, Liverpool

by Julia Johnson

Review — 11.02.2018

Future Aleppo: a VR Experience at FACT

FACT, Liverpool

by Callan Waldron-Hall

Review — 11.02.2018

Slaves of Fashion: The Singh Twins at Walker Art Gallery

Walker Art Gallery, Liverpool

by Julia Johnson

Review — 10.01.2018

John Piper at Tate Liverpool

Tate Liverpool, Liverpool

by Sean Ketteringham

Review — 15.12.2017

Making Himself Claire: Grayson Perry at Walker Art Gallery

Walker Art Gallery, Liverpool

by Claire Walker

Review — 25.11.2017

Mary Reid Kelley & Patrick Kelley at Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 09.11.2017

Wu Tsang: Under Cinema at FACT

FACT, Liverpool

by Aoife Robinson

Review — 25.10.2017

What is Socially Engaged Photographic Practice?

Open Eye Gallery, Liverpool

by Eli Regan

Review — 24.10.2017

Bluecoat: In the Peaceful Dome

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 16.10.2017

Culture Shifts: Local at Open Eye Gallery

Open Eye Gallery, Liverpool

by Grace Edwards

Review — 29.09.2017

Alphonse Mucha: In Quest of Beauty, Walker Art Gallery, Liverpool

Walker Art Gallery

by Claire Walker

Review — 27.09.2017

Black Blossoms at The Royal Standard: If We’re Going To Heal, Let It Be Glorious

The Royal Standard, Liverpool

by Grace Edwards

Review — 25.09.2017

Considering the Past and what has Passed – Coming Out: Sexuality, Gender & Identity

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 11.09.2017

In the Floating World: Edo Pop at Lady Lever Art Gallery

Lady Lever Art Gallery, Liverpool

by Jacob Bolton

Review — 04.09.2017

Portraying a Nation: Germany 1919–1933

Tate Liverpool, Liverpool

by Jenny Gleadell

Review — 31.08.2017

Abacus, at Bluecoat

The Bluecoat, Liverpool

by Grace Edwards

Review — 20.08.2017

Leanne Cook / Zarina Muhammad: Seen by Everyone

The Royal Standard, Liverpool

by Jacob Bolton

Review — 19.08.2017

Louisa Martin: Proxy

The Bluecoat, Liverpool

by James Harper

Feature — 02.06.2017

Art, Audience and Economy: How should we value the arts in the North of England?

BALTIC Centre for Contemporary Art, Gateshead; Hepworth Wakefield, Wakefield; Tate Liverpool, Liverpool

by Tom Hopkin