Showing 15 posts

Review — 27.07.2018

Harriet Rickard: Poor Image Projects

34 Boar Lane, Leeds

by Anna Ratcliffe

Review — 16.06.2018

Helen Shaddock: Themselves Here Together

The Word, South Shields

by Sarah Davies

Review — 19.04.2018

Daria Martin: A Hunger Artist

Site Gallery, Sheffield

by Lucy Holt

Review — 04.12.2017

Doremi Artist Residency and Open Weekend 2017

Cumbria

by Sam Pickett

Review — 28.11.2017

Michael Flechtner: Animating Neon

Neon Workshops, Wakefield

by Lisa-Marie Dickinson

Review — 03.08.2017

Lindsey Bull and Plastique Fantastique

Castlefield Gallery, Manchester

by Nathalie Mayer

Review — 01.08.2017

Approaching Nocturne

Studio 24

by Karen Tobias-Green

Review — 02.07.2017

So What of the Future

University of Leeds Project Space, Leeds

by Saffron Ward

Review — 23.06.2017

Meikle, Frew & Raven: Ambiguous Utopia

The Northern Charter, Newcastle-upon-Tyne

by Liam McCabe

Review — 12.05.2017

Nicola Singh: The sounds are bouncing around us…

BALTIC 39, Newcastle-upon-Tyne

by Eleanor Benson

Review — 02.05.2017

David Steans: Crime World

The Tetley, Leeds

by Bethan Hughes

Review — 26.04.2017

ARTIST ROOMS: Martin Creed

The Harris Museum & Art Gallery, Preston

by Sam Pickett

Review — 07.04.2017

X≠Y: How to put up a shelf (V)

Leeds College of Art, Leeds

by Karen Tobias-Green

Feature — 04.04.2017

The Learning Web: Thoughts on William Noel Clarke’s God Dead Confused

serf studios, Leeds

by Fred Mikardo-Greaves

Article — 19.09.2013

PRISM – Lionel Dobie Project, The SWAYS Bunker

the SWAYS bunker, Manchester; Sheffield