Reviews

Showing 1–36 of 645 articles

Review — 19.01.2019

The Ground Beneath Your Feet

Castlefield Gallery, Manchester

by Claire Walker

Review — 10.01.2019

Leisure Time

S1 Artspace, Sheffield

by Orla Foster

Review — 19.12.2018

John Walter: CAPSID

HOME, Manchester

by Lucy Holt

Review — 18.12.2018

Aaron Guy: The House that Jack Built

36 Lime Street, Newcastle upon Tyne

by Christopher Little

Review — 13.12.2018

Adulthood

Bunker Gallery

by Claire Walker

Review — 09.12.2018

Moon Kyungwon and Jeon Joonho: News From Nowhere

Tate Liverpool, Liverpool

by Callan Waldron-Hall

Review — 07.12.2018

Material Culture Unearthed: Five Verses on Six Sacks of Earth

In-Situ, Lancashire

by Natalie Hughes

Review — 06.12.2018

Re: work

Holden Gallery, Manchester

by Nicole Coyle

Review — 05.12.2018

The Hepworth Prize for Sculpture 2018

Hepworth Wakefield, Wakefield

by Paula Chambers

Review — 30.11.2018

Berwick Film & Media Arts Festival 2018

Berwick-upon-Tweed

by Grace Denton

Review — 29.11.2018

Frances Richardson: Not even nothing can be free of ghosts

Cross Lane Projects; Cumbria

by Derek Horton

Review — 19.11.2018

Heather Phillipson: The Age of Love

BALTIC Centre for Contemporary Art, Gateshead

by Carys Rose Thomas

Review — 16.11.2018

LAB212: Nebula

Barrow-in-Furness; Cumbria

by Sam Pickett

Review — 12.11.2018

Simeon Barclay: Bus2move

The Tetley, Leeds

by Laura Clarke

Review — 11.11.2018

Construction House: Order & Limitations

S1 Artspace, Sheffield

by Orla Foster

Review — 10.11.2018

Zoe Childerley: Beyond the Pale

Berwick-upon-Tweed

by Dave Pritchard

Review — 06.11.2018

Dan Holdsworth: Continuous Topography

NGCA, Sunderland

by Grace Denton

Review — 01.11.2018

Northern Lights

Grundy Art Gallery, Blackpool

by Natalie Bradbury

Review — 01.11.2018

Rachel Kneebone: The Dance Project

Touchstones Art Gallery, Rochdale

by Derek Horton

Review — 01.11.2018

Alison Watt: A Shadow On The Blind

Abbot Hall Art Gallery, Cumbria

by Natalie Hughes

Review — 28.10.2018

Senga Nengudi

Henry Moore Institute, Leeds

by Rachel Graves

Review — 27.10.2018

Rachel Adams: Lowlight

Bloc Projects, Sheffield

by Orla Foster

Review — 27.10.2018

Sheffield Round-up

Sheffield

by Louis D'Arcy-Reed

Review — 26.10.2018

Lady Kitt: WORTH

Praxis Gallery, Newcastle upon Tyne

by Sarah Davies

Review — 19.10.2018

Joy Labinjo: Mid-conversation

Gallery North, Newcastle upon Tyne

by Laura Rushton

Review — 09.10.2018

Tai Shani: Semiramis

The Tetley, Leeds

by Rachel Graves

Review — 08.10.2018

Maeve Rendle: What Cannot Be Turned Aside

Touchstones Art Gallery, Rochdale

by Paul Cordwell

Review — 07.10.2018

Interview with Joseph O’Rourke, John Moores Prize Winner

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Liverpool Biennial 2018 at the Bluecoat

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Invisible Flock’s AURORA at Toxteth Reservoir

Liverpool

by Denise Couroux

Review — 06.10.2018

Headlands to Headspace Landscape Art Commissions

Morecambe

by Jack Welsh

Review — 01.10.2018

Lindsey Mendick: The Turnpike Pottery

The Turnpike, Leigh

by Ali Gunn

Review — 30.09.2018

Mitra Saboury: Growth Spurt

The Art House, Wakefield

by Karen Tobias-Green

Review — 28.09.2018

And Breathe…

Manchester Art Gallery, Manchester

by Steve Slack

Review — 28.09.2018

Poly-Technic: We Are Not An Island

Sheffield

by Simon Boase

Review — 21.09.2018

We Are Where We Are

BALTIC 39, Newcastle upon Tyne

by Grace Denton