Reviews

Showing 1–36 of 633 articles

Review — 19.11.2018

Heather Phillipson: The Age of Love

BALTIC Centre for Contemporary Art, Gateshead

by Carys Rose Thomas

Review — 16.11.2018

LAB212: Nebular

Sam Pickett reviews LAB212: Nebular at Signal Film and Media in Barrow-in-Furness.

by Sam Pickett

Review — 12.11.2018

Simeon Barclay: Bus2move

The Tetley, Leeds

by Laura Clarke

Review — 11.11.2018

Construction House: Order & Limitations

S1 Artspace, Sheffield

by Orla Foster

Review — 10.11.2018

Zoe Childerley: Beyond the Pale

Berwick-upon-Tweed

by Dave Pritchard

Review — 06.11.2018

Dan Holdsworth: Continuous Topography

NGCA, Sunderland

by Grace Denton

Review — 01.11.2018

Northern Lights

Grundy Art Gallery, Blackpool

by Natalie Bradbury

Review — 01.11.2018

Rachel Kneebone: The Dance Project

Touchstones Art Gallery, Rochdale

by Derek Horton

Review — 01.11.2018

Alison Watt: A Shadow On The Blind

Abbot Hall Art Gallery, Cumbria

by Natalie Hughes

Review — 28.10.2018

Senga Nengudi

Henry Moore Institute, Leeds

by Rachel Graves

Review — 27.10.2018

Rachel Adams: Lowlight

Bloc Projects, Sheffield

by Orla Foster

Review — 27.10.2018

Sheffield Round-up

Sheffield

by Louis D'Arcy-Reed

Review — 26.10.2018

Lady Kitt: WORTH

Praxis Gallery, Newcastle upon Tyne

by Sarah Davies

Review — 19.10.2018

Joy Labinjo: Mid-conversation

Gallery North, Newcastle upon Tyne

by Laura Rushton

Review — 09.10.2018

Tai Shani: Semiramis

The Tetley, Leeds

by Rachel Graves

Review — 08.10.2018

Maeve Rendle: What Cannot Be Turned Aside

Touchstones Art Gallery, Rochdale

by Paul Cordwell

Review — 07.10.2018

Interview with Joseph O’Rourke, John Moores Prize Winner

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Liverpool Biennial 2018 at the Bluecoat

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Invisible Flock’s AURORA at Toxteth Reservoir

Liverpool

by Denise Couroux

Review — 06.10.2018

Headlands to Headspace Landscape Art Commissions

Morecambe

by Jack Welsh

Review — 01.10.2018

Lindsey Mendick: The Turnpike Pottery

The Turnpike, Leigh

by Ali Gunn

Review — 30.09.2018

Mitra Saboury: Growth Spurt

The Art House, Wakefield

by Karen Tobias-Green

Review — 28.09.2018

And Breathe…

Manchester Art Gallery, Manchester

by Steve Slack

Review — 28.09.2018

Poly-Technic: We Are Not An Island

Sheffield

by Simon Boase

Review — 21.09.2018

We Are Where We Are

BALTIC 39, Newcastle upon Tyne

by Grace Denton

Review — 18.09.2018

Claire Dorsett: FRONT

STOCK

by Alison Criddle

Review — 17.09.2018

Furnished Archipelago

Paradise Works, Salford

by James Mathews-Hiskett

Review — 09.09.2018

On Women in the Arts: We Want Women’s Support of Female Artists

Liverpool

by Claire Walker

Review — 02.09.2018

This Is Shanghai at Cunard Building

Cunard Building, Liverpool

by Sinéad Nunes

Review — 31.08.2018

Blue Flag

Blyth; Headway Arts

by Dave Pritchard

Review — 30.08.2018

Susan Philipsz: The Yellow Wallpaper

Belsay Hall, Northumberland

by Dave Pritchard

Review — 24.08.2018

Film at Liverpool Biennial 2018

Liverpool

by Julia Johnson

Review — 24.08.2018

New Brighton Revisited at The Sailing School Gallery

The Sailing School Gallery, Liverpool

by Denise Courcoux

Review — 22.08.2018

Sophie Lisa Beresford: North East Style

Newcastle upon Tyne

by Michaela Hall

Review — 21.08.2018

A Clown Walks Into A Gallery…

Grundy Art Gallery, Blackpool

by Robbie di Vito

Review — 20.08.2018

BiblioTECH: from bookshelf to big data

The Portico Library, Manchester

by Claire Walker