Showing 37–72 of 541 articles

Review — 09.02.2018

John Stezaker

Whitworth Art Gallery, Manchester

by Jordan Harrison-Twist

Review — 08.02.2018

Ground Zine Fair 2

Ground, Hull

by Jay Drinkall

Review — 06.02.2018

Rob & Harriet Fraser: The Long View

Great North Museum: Hancock, Newcastle-upon-Tyne

by Dave Pritchard

Review — 02.02.2018


SLOE Gallery, Manchester

by Steve Slack

Review — 31.01.2018

Foldyard: Another Field | Gardens and Uncultivated Spaces

Queen’s Hall, Hexham

by Dave Pritchard

Review — 30.01.2018

Rebecca Lowe: Inhabiting Stone

Leeds Arts University, Leeds

by Derek Horton

Review — 26.01.2018

Ben Jeans Houghton: 2ndlife

Bloc Projects, Sheffield

by Lucy Holt

Review — 25.01.2018

Digital Matters: The Earth Behind the Screen

CFCCA, Manchester

by Ashleigh Owen

Review — 17.01.2018


The NewBridge Project : Gateshead, Gateshead

by Andrea Allan

Review — 12.01.2018

Sofia Stevi: turning forty winks into a decade

BALTIC Centre for Contemporary Art, Gateshead

by Adam Heardman

Review — 11.01.2018

…into the labyrinth

The International 3, Salford

by Tom Emery

Review — 10.01.2018

John Piper at Tate Liverpool

Tate Liverpool, Liverpool

by Sean Ketteringham

Review — 10.01.2018

Saelia Aparicio: Your Consequences Have Actions

The Tetley, Leeds

by Robbie di Vito

Review — 06.01.2018

Jill & Josh & Their Dead Petz

BasementArtsProject, Leeds

by Saffron Ward

Review — 04.01.2018

The Return of Memory

HOME, Manchester

by Anna Ratcliffe

Review — 03.01.2018

Odd One Out/In

PS Mirabel, Manchester

by Chris Connolly

Review — 01.01.2018

Veronica Ryan: Salvage

The Art House, Wakefield

by Karen Tobias-Green

Review — 23.12.2017

Alfredo Jaar: The Garden of Good and Evil

Yorkshire Sculpture Park, Wakefield

by Selina Oakes

Review — 20.12.2017

I Can’t Remember the Last Time I Used Cardamom

TESTT Space, Durham

by Adam Heardman

Review — 15.12.2017

Making Himself Claire: Grayson Perry at Walker Art Gallery

Walker Art Gallery, Liverpool

by Claire Walker

Review — 14.12.2017

Raqs Media Collective: Twilight Language

Whitworth Art Gallery, Manchester

by Natasha Stallard

Review — 13.12.2017

Venture Arts presents

The Manchester Contemporary, Manchester

by Chris Connolly

Review — 09.12.2017

A Feminist Space at Leeds: Looking Back to Think Forwards

University of Leeds Project Space, Leeds

by Lucy Holt

Review — 07.12.2017

Susan Philipsz: A Single Voice

BALTIC Centre for Contemporary Art, Gateshead

by Lesley Guy

Review — 06.12.2017

These Northern Types

Left Bank, Leeds

by Jay Drinkall

Review — 04.12.2017

Doremi Artist Residency and Open Weekend 2017


by Sam Pickett

Review — 04.12.2017

Brass Art: Gestured

Chetham's Library, Manchester

by Catriona McAra

Review — 01.12.2017

Sam Meech: Time Back Way Back


by Natalie Bradbury

Review — 30.11.2017

Kathryn Elkin: Shelter from the Storm

Gallery North, Newcastle-upon-Tyne

by Elisabetta Fabrizi

Review — 28.11.2017

Michael Flechtner: Animating Neon

Neon Workshops, Wakefield

by Lisa-Marie Dickinson

Review — 27.11.2017

Holly Rowan Hesson: Echo | Pyramid Arts Centre


by Robbie di Vitto

Review — 27.11.2017

Sabina Sallis: Drawing Close – Voynich Series

The Customs House, South Shields

by Dave Pritchard

Review — 27.11.2017

Bedwyr Williams: Hypercaust at Storyhouse


by Bob Dickinson

Review — 25.11.2017

Mary Reid Kelley & Patrick Kelley at Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 21.11.2017

Material Remains

Holden Gallery, Manchester

by Andy Broadey

Review — 17.11.2017

Politics of Paradise

Paradise Works, Salford

by Jacob Bolton