Showing 37–72 of 640 articles

Review — 31.08.2018

Blue Flag

Blyth; Headway Arts

by Dave Pritchard

Review — 30.08.2018

Susan Philipsz: The Yellow Wallpaper

Belsay Hall, Northumberland

by Dave Pritchard

Review — 24.08.2018

Film at Liverpool Biennial 2018


by Julia Johnson

Review — 24.08.2018

New Brighton Revisited at The Sailing School Gallery

The Sailing School Gallery, Liverpool

by Denise Courcoux

Review — 22.08.2018

Sophie Lisa Beresford: North East Style

Newcastle upon Tyne

by Michaela Hall

Review — 21.08.2018

A Clown Walks Into A Gallery…

Grundy Art Gallery, Blackpool

by Robbie di Vito

Review — 20.08.2018

BiblioTECH: from bookshelf to big data

The Portico Library, Manchester

by Claire Walker

Review — 19.08.2018

The Future Is Bright, The Past Is Colourful

Paradise Works, Salford

by Robbie di Vito

Review — 17.08.2018

Elisabeth Frink: Fragility and Power

Abbot Hall Art Gallery, Kendal, Cumbria

by Natalie Hughes

Review — 16.08.2018

Herstory: Women Artists from the Collection of Patrizia Sandretto Re Rebaudengo

Touchstones Art Gallery, Rochdale

by Natalie Bradbury

Review — 16.08.2018

Bloc Projects Members Show 2018

Bloc Projects, Sheffield

by Yasmine Rix

Review — 15.08.2018

Empty Vessels

Bankley Studios and Gallery, Manchester

by Robbie di Vito

Review — 13.08.2018

Chris Alton and Liam Geary Baulch: The Ballad of The White Ship

serf studios, Leeds

by Saffron Ward

Review — 08.08.2018

Matt Stokes: Gogmagog – The Voices of the Bells

Holy Trinity Church, Sunderland

by Dave Pritchard

Review — 07.08.2018

Declan Colquitt & Michaela Cullen: Double Dropping on a Phantom Island

The NewBridge Project : Gateshead, Gateshead

by Lesley Guy

Review — 27.07.2018

Harriet Rickard: Poor Image Projects

34 Boar Lane, Leeds

by Anna Ratcliffe

Review — 26.07.2018

Carel Weight RA: Artist, Advisor, Collector and Benefactor

Tullie House, Carlisle

by Natalie Bradbury

Review — 25.07.2018


CFCCA, Manchester

by Beth Dawson

Review — 19.07.2018

Will Kendrick: That Hall is Woven of Serpent’s Spines

Barrow-in-Furness; Cumbria

by Natalie Hughes

Review — 19.07.2018

Sonia Boyce

Manchester Art Gallery, Manchester

by Andy Broadey

Review — 15.07.2018

Preview: COSMOS at bluedot 2018


by Jacob Bolton

Review — 12.07.2018

Mark Fairnington: Walking, Looking and Telling Tales

Cherryburn, Northumberland

by Dave Pritchard

Review — 11.07.2018

Shonky: The Aesthetics of Awkwardness

Bury Art Museum, Bury

by Paul Cordwell

Review — 29.06.2018


Whitworth Art Gallery, Manchester

by Miles Knapp

Review — 29.06.2018

Andy & Peter Holden: Natural Selection

Leeds Art Gallery, Leeds

by Natalie Bradbury

Review — 28.06.2018

Fiona Curran & Andrew Burton: Contemporary Art at Gibside


by Dave Pritchard

Review — 28.06.2018

Dave Pearson: Return to Byzantium

The Turnpike, Leigh

by Natalie Hughes

Review — 26.06.2018

Macclesfield Barnaby Festival 2018

by Selina Oakes

Review — 25.06.2018

Leeds Degree Show Round-up


by Louis D’Arcy-Reed

Review — 25.06.2018

ARTIST ROOMS: Richard Long


by Michael D'Este

Review — 22.06.2018

Sliced Units

CFCCA, Manchester

by Claire Walker

Review — 20.06.2018


neo:gallery23, Bolton

by Bob Dickinson

Review — 19.06.2018

Kate Whiteford: Wings of Desire

Brontë Parsonage Museum, Haworth

by Karen Tobias-Green

Review — 19.06.2018

Lubaina Himid: Our Kisses are Petals

BALTIC Centre for Contemporary Art, Gateshead

by Rosie Minney

Review — 19.06.2018

Nick Jordan: Mental State Signs

Paradise Works, Salford

by Robbie di Vito

Review — 17.06.2018

Food to the Dogs

Tape Modern, Manchester

by Jordan Harrison-Twist